© » KADIST
Mateo Lopez
With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
© » KADIST
Mateo Lopez
With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks. Traces of art history reverberate through the sculptures; their mediums reflect traditional materials for drawing and sketching, and the simplicity of their forms gesture toward minimalism. But López dislocates these common objects from their ordinary utility by replicating their component parts in paper, graphite, and charcoal, thus drawing attention to mechanisms of representation and translation.
© » KADIST
Choi Jeong-Hwa
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle. And though his works share a similar sensibility to Claes Oldenburg’s oversized sculptures from everyday objects, Choi draws from his immediate surroundings and life experience. Public sculptures with a flower theme are often used to decorate the rapidly urbanized cities in Asia, which are constructed with concrete and steel materials.
© » KADIST
Mateo Lopez
Mateo Lopez uses paper as a medium to conjure personal experiences. The artist creates drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors. These props are part of a performance; he often sets up his studio in public and uses cues from his own journeys as the inspiration for his work.
© » KADIST
Jianwei Wang
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text. The performance begins with two broad-knife-wielding characters circling each other in conventional operatic steps. Oblivious to the presence of these two on stage, additional characters, in a mix of period costume and contemporary dress, enter the stage in increasing droves to consume a various of foods laid out on a table until they collapse and pile on top of each other.
© » KADIST
Oliver Laric
Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time. Comprised of several video and sculptural works that share the same title, the Versions series reflects Laric’s key concerns: the mutability of images and objects and the negotiation between original and copy. In this video, we see several 3D renders of recognizable objects and places, while an ubiquitous feminized robotic voice that evokes the domestic familiarity of voice recognition tools such as Siri and Alexa, speaks of issues relating to identity, language, and translation.
© » KADIST
Gabriel Kuri
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
© » KADIST
Rivane Neuenschwander
In this video, a parrot chews on seeds printed with punctuation marks. A radio on the shelf in the background broadcasts the news of an unfolding football match. As the game (and video) progresses, the bird eats all of the remaining punctuation.
© » KADIST
Wimo Ambala Bayang
Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia. Through photomontage digital operation, an identical elephant is superimposed in front of iconic landmark of the city: Parangtritis Beach, Sultan Square, the City Monument and Mount Merapi. These four locations are spiritual symbols and the subject of cosmological beliefs in Indonesia and the imagery of elephant has long been considered as a cultural and religious icon.
© » KADIST
Rivane Neuenschwander
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities. When installed, viewers are invited to fill out and mail a postcard to any destination, an act which parallels the dissemination and global circulation of image, text, and the idea of place.
© » KADIST
Robert Therrien
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon. The object and its ground both glow, but the chapel-shape is crisp and simple, reminiscent of a piece of cut paper. Like many of Therrien’s early pieces, this abstraction slips into representation and the visual and spiritual power of the image is emphasized by the strong central placement of the chapel.
© » KADIST
Daniel Joseph Martinez
Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.
© » KADIST
Daniel Joseph Martinez
Drawing & Print (Drawing & Print)
If Only God Had Invented Coca Cola Sooner! Or, The Death of My Pet Monkey
© » KADIST
Daniel Joseph Martinez
For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.
© » KADIST
Julian Hoeber
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code. The geometric pattern that composes each acrylic-on-panel painting is determined by a preordained ratio of 2 to 3. But even though a formulaic system determines the image’s structure, its surface is full of painterly effects.
© » KADIST
Allan McCollum
In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium. The Glossies are drawings, rectangular forms applied with blank ink and watercolors, which fill up the sheets parallel to the edges except for a small margin. Finally, the whole paper is covered with an adhesive plastic laminate, which gives it the shiny surface of a photograph.
Mateo Lopez
- location: Bogota, Colombia
- year born: 1978
- gender: male
- nationality: Colombian
- home town: Bogota, Colombia
Daniel Joseph Martinez
- location: Los Angeles, California
- year born: 1957
- gender: male
- nationality: American
- home town: Los Angeles, California
Julian Hoeber
- location: Los Angeles, California
- year born: 1974
- gender: male
- nationality: American
- home town: Philadelphia, Pennsylvania
Robert Therrien
- location: Los Angeles, California
- year born: 1947
- gender: male
- nationality: American
- home town: Chicago, Illinois
Robert Smithson
- year born: 1938
- gender: male
- nationality: American
- home town: Passaic, New Jersey
Jianwei Wang
- location: Beijing, China
- year born: 1958
- gender: male
- nationality: Chinese
- home town: Sichuan Province, China
Choi Jeong-Hwa
- year born: 1961
- gender: male
- nationality: Korean
- home town: Seoul, South Korea
Wimo Ambala Bayang
Working in photography and video, the Indonesian artist Wimo Ambala Bayang embraces the conceptual possibilities of digital image manipulation...
Gabriel Kuri
- location: Mexico City; Brussels, Belgium
- year born: 1970
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Oliver Laric
- location: Berlin, Germany
- year born: 1981
- gender: male
- nationality: Austrian
- home town: Innsbruck, Austria
Allan McCollum
- year born: 1944
- gender: male
- nationality: American
- home town: Los Angeles, California
-
1970-1979
Daniel Joseph Martinez
1978For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...
-
1980-1989
Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
-
2000-2009
Daniel Joseph Martinez
2005Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...
Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
Rivane Neuenschwander
2007Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Choi Jeong-Hwa
2008The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
-
2010-2019
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Wimo Ambala Bayang
2011Composed of four images, the series Sleeping Elephant in the Axis of Yogyakarta (2011) explores the artist’s observation of how Javanese mythology and cosmology have marked the geography of Yogyakarta, the cultural centre of Indonesia...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Mateo Lopez
2012With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
Oliver Laric
2012Oliver Laric’s video Versions is part of an ongoing body of work that has continued to evolve and mutate over time...